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                    <text>&lt;p&gt;Easter Sunday&lt;/p&gt;&#13;
&lt;p&gt;1940&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Dear Mr. Lankes:&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Stera Bosa (Mrs. Frank&lt;/p&gt;&#13;
&lt;p&gt;Walton, 636 Redgate Ave, Norfolk)&lt;/p&gt;&#13;
&lt;p&gt;Pres of our art league is ordering&lt;/p&gt;&#13;
&lt;p&gt;les &amp;amp; we have talked ? with various&lt;/p&gt;&#13;
&lt;p&gt;members of her board the matter&lt;/p&gt;&#13;
&lt;p&gt;of your woodcuts. They are&lt;/p&gt;&#13;
&lt;p&gt;very eager to exhibit them in the&lt;/p&gt;&#13;
&lt;p&gt;fall. At present &amp;amp; on into May,&lt;/p&gt;&#13;
&lt;p&gt;the space in the museum is&lt;/p&gt;&#13;
&lt;p&gt;filled. Anyway, even were it available&lt;/p&gt;&#13;
&lt;p&gt;then, Mrs Walter says, would be&lt;/p&gt;</text>
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                    <text>&lt;p&gt;a most unsuitable home to show the&lt;/p&gt;&#13;
&lt;p&gt;pictures. Very few persons visit the&lt;/p&gt;&#13;
&lt;p&gt;exhibits after this date &amp;amp; to put your&lt;/p&gt;&#13;
&lt;p&gt;pictures on display so late would not&lt;/p&gt;&#13;
&lt;p&gt;be to your advantage.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; To show in our library is,&lt;/p&gt;&#13;
&lt;p&gt;is seems, not possible. There are&lt;/p&gt;&#13;
&lt;p&gt;no exhibits held there: theres no&lt;/p&gt;&#13;
&lt;p&gt;space, as far as we know. But&lt;/p&gt;&#13;
&lt;p&gt;in the museum you will find&lt;/p&gt;&#13;
&lt;p&gt;your work will be seen not only&lt;/p&gt;&#13;
&lt;p&gt;by the art group but by the&lt;/p&gt;&#13;
&lt;p&gt;general public. All the intel-&lt;/p&gt;&#13;
&lt;p&gt;legensia of&amp;nbsp; Norfolk flock there.&lt;/p&gt;&#13;
&lt;p&gt;We’ll just let Mrs Walton&lt;/p&gt;</text>
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                    <text>&lt;p&gt;know what’s what about the&lt;/p&gt;&#13;
&lt;p&gt;autumn; also whether you&lt;/p&gt;&#13;
&lt;p&gt;could let her have enough of your&lt;/p&gt;&#13;
&lt;p&gt;woodcuts—or paintings also--to&lt;/p&gt;&#13;
&lt;p&gt;make up say forty pictures.&lt;/p&gt;&#13;
&lt;p&gt;This would complete the number&lt;/p&gt;&#13;
&lt;p&gt;needed for a one-man show.&lt;/p&gt;&#13;
&lt;p&gt;With fewer pictures, how about&lt;/p&gt;&#13;
&lt;p&gt;exhibiting someone else’s work&lt;/p&gt;&#13;
&lt;p&gt;with yours, though I think the&lt;/p&gt;&#13;
&lt;p&gt;other way (all Lankes) would&lt;/p&gt;</text>
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                    <text>&lt;p&gt;be very preferable.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I must run. This is a&lt;/p&gt;&#13;
&lt;p&gt;servantless day &amp;amp; I hear Himself&lt;/p&gt;&#13;
&lt;p&gt;setting the table.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; It was delightful having&lt;/p&gt;&#13;
&lt;p&gt;you with us together with Mr.&lt;/p&gt;&#13;
&lt;p&gt;Frost. Come again!&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Cordially,&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mary Leitch&lt;/p&gt;&#13;
&lt;p&gt;I am really very keen to see&lt;/p&gt;&#13;
&lt;p&gt;the Country Churchyard woodcuts.&lt;/p&gt;&#13;
&lt;p&gt;I shall have the Frost farm house&lt;/p&gt;&#13;
&lt;p&gt;framed this week.&lt;/p&gt;</text>
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                  <text>Mary Sinton Leitch Correspondence with J. J. Lankes, 1932-1950 (Ms2017-001)</text>
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                  <text>Anderson, Sherwood, 1876-1941</text>
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                  <text>The collection includes 27 letters (some with covers and envelopes) written by Mary Sinton Leitch to J. J. Lankes between 1932 and 1950. Introduced by a mutual friend, Leitch and Lankes maintained a more than 18-year correspondence that contained conversations of personal news &amp; friends, the Virginia literary and art scene, and their own writing and artistic efforts (including Lankes collaborations with poet Robert Frost).&#13;
&#13;
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                  <text>&lt;a href="http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01847.xml" target="_blank" rel="noopener"&gt;See the finding aid for the Mary Sinton Leitch Correspondence with J. J. Lankes.&lt;/a&gt;</text>
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                  <text>1932-1950</text>
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                  <text>&lt;a href="https://omeka.lib.vt.edu/files/thumbnails/spec_forms/PubPermission.doc" target="_blank" rel="noopener"&gt;Permission to publish material from the&lt;span&gt; Mary Sinton Leitch Correspondence with J. J. Lankes&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;must be obtained from Special Collections, Virginia Tech.&lt;/a&gt;</text>
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                  <text>Researchers wishing to cite this collection should include the following information: Mary Sinton Leitch Correspondence with J. J. Lankes, Ms2017-001, Special Collections, Virginia Tech, Blacksburg, Va.</text>
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                <text>Letter, Mary Sinton Leitch to J. J. Lankes, March 24, 1940 (Ms2017-001)</text>
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                <text>&lt;a href="http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01847.xml" target="_blank" rel="noreferrer noopener"&gt;See the finding aid for Mary Sinton Leitch Correspondence with J. J. Lankes&lt;/a&gt;</text>
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                <text>Researchers wishing to cite this collection should include the following information: Mary Sinton Leitch Correspondence with J. J. Lankes, Ms2017-001, Special Collections, Virginia Tech, Blacksburg, Va.</text>
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